Thursday, May 19, 2011

Something About England: A California Girl in London... Part Five



Life has been a heady juxtaposition of difficult, exciting and unexpected as of late. So much is coming out of left field and moving forward everyday. To be on your toes is required, but I'm constantly reminded of how much fun I'm having. This was particularly evident when I was away from Mojo for three weeks and I was allowed much time to myself. At first, I frantically worried what I would do with myself without a 10.30 to 6.00 routine. Alas, I fell into a luscious routine. My time away from Mojo coincided with scorching London heat. I would roll out of bed when I fancied, queue up the stereo and lay a blanket down in the back garden. I'd settle with a good book (then: a captivating tale of Dante Gabriel Rossetti's doomed wife and muse, Lizzie Siddal... now: a far more comprehensive take on all of the Pre-Raphaelites' private lives. So fascinating!), a bit of sparkling wine, some fruit, said fruit in said wine! I'd lounge in the garden until the sun dissolved, sometimes earlier to jet off for a museum wander, cinema experience or a bite to eat. I would write throughout the night and when the stars emerged, I'd debunk to the garden once more. This time equipped with my iPhone and the truly awing app Star Walk (thank you JP), I would admire the constellations that loomed above me. The accuracy of the map, the vastness of the sky and the stillness of the night were all quite inspiring and humbling. The nights were sometimes graced with thunderstorms and summer rain, which I love. I left the door to the house open and I basked in the smell of the rain hitting the garden - a most intoxicating scent. After my starry adventures, I'd typically curl up next to the fire, watching films like Manhattan, Charade or Miles Davis at Isle of Wight.



I visited the Imperial War Museum, intrigued by the Holocaust exhibition. Its eloquently put together, with the incredible Nazi outfits on display. I found this fascinating, because at the very least, they did get military regalia right. What I found most unsettling when the endless tales of Jews who died or went missing, with personal stories featured throughout the exhibition. A dress worn by a girl as she attempted to escape the Nazis, a full scale model of the Auschwitz concentration camp and a glass case full of burnt shoes were all a bit much for me, however. I quickly cascaded through the museum’s chronology of war, from World War II to Iraq, as I felt quite a desire for fresh air. It was quite heavy within those walls, as depressing as it is insightful and illuminating.




I thought my lush daily routine would continue, until I was summoned by Mojo to visit Libertines land. The band were premiering their Roger Sargent directed documentary, There Are No Innocent Bystanders. I went to the Troxy in East London (not my favorite part of London!) for the East End Film Festival’s opening night. To be frank, the film focused around a load of pretentious idiots, mumbling around East London, attempting to convince the audience of how influential and all mighty they are. I wasn’t convinced. The hoard of hobnobbing Londoners wasn’t my scene in the slightest, with everyone strutting about. I loathe the Libertines, I loathe their whole schtick and I loathe the idea of anyone falling for it. I left the flurry of booming music, alcohol and mingling folk almost immediately after the film had concluded.



The royal wedding came and went without much fuss on my part. Public transportation was hellish that morning, but other than that, I had free wine in Mayfair then went book shopping at Hatchards in Piccadilly. The sun was shining and it was a grand afternoon.



There was also a lacklustre visit to the National Gallery and the National Portrait Gallery. Have I gushed about the Cult of Beauty exhibition at the V&A? I must! Though touted as an exhibition of the Aesthetic movement, it highlights the Pre-Raphaelites in a phenomenal way, showing the respective movements’ connection to each other. The entire exhibition truly defines ‘beauty’ and I find myself very much in tune with the era’s definition of beauty. The billowing gowns, the flowing hair, cherub faces, elegance and grace in spades. The inclusion of furniture and other various aesthetically pleasing pieces of the era completely enhanced the experience. It was one of the great exhibitions, inducing a buzz, leaving you in awe and walking out utterly inspired. (It helps that the adjoining bookshop is done up nicely!) I couldn’t recommend it more.


Ice cream at the V&A.

Alas, after I’d spent an afternoon wandering Christies with Halfin and Page, we assembled for lunch and, amidst conversation, I enthused to Jimmy about the Cult of Beauty (as we’ve previously discussed our shared interest in the Pre-Raphaelites). He suggested we skip over to the V&A, as we were five minutes away. Still, we were too late! The exhibition had closed for the evening, so we toured the museum and the bookshop, exchanging anecdotes about art, gossip of the era and what we like. My kind of day.



Tuesday, May 17, 2011

**STARS & MUSCLES 12 MIXXY**




Oi, S&M #12 is in like 10 days, on the 28th.

As usual, we did a mix. This one is for when you're getting ready to go out, and the sun is just going down.

Here's the mix: http://www.mediafire.com/?zoga989ciqqvnac

TRACKLIST:

1. Dr Hook - Sexy Eyes

2. Roysopp - Eple (Fatboy Slim rmx)

3. Joey Negro (but he's white) - Why? (JN Block Party mix)

4. In Flagranti - Anglo-Saxon Pragmatism

5. Vitalic - Allan Dellon

6. Solomun - Love Recycled 2

7. Eddie C - Deepa

8. James Curd - Left The Ground

9. Richard Richard - Garbure

10. Grandtheft - Let Me Out (Eli Escobar rmx)

11. Consistent - Higher Feel

12. FoxFace - Take Advantage

13. Steffi - Yours

14. Azari & III - Indigo

15. Joris Voorn - Incident (Miyagi rmx)

16. Danny Daze - Fall Away From Love

Monday, May 16, 2011

The Midnight Special.

At Mojo, I have the illuminating task of perusing video clips, culling from my own taste to whip up something suitable for the Mojo reader. I call upon all of my favorites (as spell check tells me, "favourites!"), including diving through the lofty archives of The Old Grey Whistle Test. Last week led me to another vast catalog(ue) of seventies greatness... The Midnight Special. On this side of the ocean, The Old Grey Whistle Test was lapped up feverishly, as was Don Kirshner's Rock Concert and Midnight Special in the States. Running from 1973 to 1981, the series was created and produced by Burt Sugarman, airing on NBC after The Tonight Show Starring Johnny Carson. Sugarman had the distinct pleasure (at least that's what I'd call it!) of being engaged to Ann-Magret in 1962, and produced Celebrity Sweepstakes and The Richard Pryor Show. Still, its his ninety minute musical variety program which I most covet. Named after the traditional folk song, most famously interpreted by Leadbelly, with the show's theme a 1965 Johnny Rivers version of the classic. Music programs had traditionally seen acts lip-sync to prerecorded music, or record live vocals over prerecorded tracks. Midnight Special boasted live performances from a dizzying list of acts, spanning genres while perfectly capturing an era. To even attempt to illustrate Midnight Special's illustrious history would be a task, but I've scoured YouTube for a few of my favourites.



1974 was a make it or break it year for Aerosmith. They had recorded their sophomore release, Get Your Wings, and set off to the road. By 1975, with the release of Toys in the Attic, Aerosmith were a full-blown success story. 1974 saw them striving to reach that point and this clip shows them in action. The band look sensational (Joe Perry's tanned chest, adorned with a bedazzled jean jacket and drug paraphernalia dangling from his neck!) and the performance, while a condensed version of the song, shows why they became what they did.



Though I don't find this particular performance terribly stimulating, the extreme effectiveness of Marvin Gaye's creative output is undeniable. Ed O'Brien of Radiohead and I recently bonded over the incredible, unrivalled brilliance of What's Going On, and just a few weeks ago, I called up Let's Get It On to wind me down after a heady work day. However, what makes this a clip of note is its kitschy allure. The bedazzled jean jumpsuit (taking a page out of Joe Perry's book on the bedazzled jean?) and the leisure-suited backing singers leave me indebted to seventies fashion and the Midnight Special for immortalising such magic.



Though Lowell George's untimely death occurred just two years after this clip was recorded, the Feats are undeniably caught in their prime here. 1969 to 1979 was an incredible time for the band, particularly Lowell George... Better yet, here they're joined by Emmylou Harris (who doesn't seem certain on the words, but flails her arms enthusiastically to overcompensate), Bonnie Raitt and Robbie Robertson protege Jesse Winchester.



In the vein of pretty ladies who can croon, 1973 saw Linda Ronstadt hit Midnight Special with a shattering rendition of Long, Long Time. I've always felt the country-tinged ballads were the best showcases of her vocal capability in her early career, when she so frequently immersed herself in spunky covers and Eagles-esque "country rock". 



Oh... JB, JB, JB. Wolfman Jack gives a glowing introduction to the man himself and accurate it damn well is. This performance does not even come close to encapsulating the near manic energy of a great James Brown performance (I would slay to see the man in his day), but the combination of James Brown and Midnight Special is particularly grand. Follow this up with a savage YouTube/James Brown party, as I just did.



Here the Faces tackle Rod's solo hit You Wear It Well. He and Ronnie Wood do a bit of endearing gymnastics, but still, if I'm not mistaken, this is the last Faces concert. It does succeed in capturing the band's primal yet infectious attitude. Don't you totally want to party with the Faces? Except maybe Tetsu?



I have such an affinity for crazed and simultaneously genius musicians. Sly Stone lives that stereotype to a T. This is 1973, he has not even reached his full wild potential, but when he breaks into devious laughter and mindless mumbles, you know you're getting the full Sly experience. The strange similarities between Sly and Jimmy Page's dress sense are just dawning on me. Sparkly cosmic goodness.


I love blatantly dated video clips. Next up, Playboy After Dark?

New/Old Tune with Malente & Neighbour - FREE DOWNLOAD





















Awesome news - Homebreakin and Juno Download have teamed up to give away a tune we made a while back with Malente & Neighbour. It's called Waking up and it features our homie Lady P on vocals. Super fun poppy dancefloor material. Enjoy - let us know what you think. Thanks.


DOWNLOAD WAKING UP FOR FREE HERE