Saturday, April 23, 2011

Something About England: A California Girl in London... Part Four




Goodness fucking gracious, my life is incredible. As my last bout of updates briefly dove into, its occasionally overwhelming being here. So much I want to accomplish and a limited amount of time to get it all done. But I've been over the moon as of late, taking care to be extra appreciative of my current predicament. I've gotten everything I hoped for, and then some! I suppose in some ways I've become so used to the way my life is, that I forget how far I've actually come. Something clicked in me yesterday. I was walking up a flight of stairs, swiftly turned, caught something out of the corner of my eye, and wham! I realised every little aspect of my life is something I didn't have before, and that I wanted so very deeply. Now here it all is... And I am beyond indebted to a few that have made it utterly possible. As I said, my life is incredible, and I'm steadily having phenomenal experiences and fostering magnificent acquaintances. I'm getting to see life from such an interesting and unique perspective. I'm surrounded by people who are far from my peers, which takes on an otherworldly quality. I'm certainly not having typical experiences. I wish I could say it seemed odd or unusual, or that I struggle to behave properly, but I really feel remarkably... comfortable. Secure, not always, but comfortable, yes. I'm just... happy. And so very content. Also knowing that every step further that I take is because of my own hard work and my own merit feels inexplicably WONDERFUL. I have one foot in the door and I am clawing my way to the other side. As I said before, sometimes I wonder how I'll do it all, but so frequently I'm overcome with this resounding sense that everything will work out. And I believe it, and I'm instantly put at ease. It will all work out because it has to and I'll relentlessly keep going until it does. And yet, in some many ways, it already has. This is what I need to remember in times of distress. I just need to remember that the harder a goal is to obtain, the greater the reward. Its a matter of not being put off by the struggles and defiantly truck through them. And I damn well will. I've already gotten so much that I aspired toward. In a way, I've gotten everything I wanted. I just want it all to last and continue forever. That's the fire beneath me at the moment.




A vital part of all of this is coming into the fold at Mojo magazine. Within days of arriving in the office, I was sent out to interview the charmingly well-trained Sir Cliff Richard, the erratic yet professional David Gest and the very soft-spoken Lamont Dozier. The unlikely trio were promoting Cliff's as yet unrecorded soul album, executive produced by David, including songs written by Lamont. I watched as the media frenzy unfolded, including David Gest placing his hand firmly upon a television host's head, and proclaiming that he was going to 'save' him, in proper religious grandeur. He then launched into a rant, with the word 'circumcision' thrown in for good measure. If nothing else, you can say that David Gest knows how to play the game. As I waited for the gang to be assembled for our interview, I sat next to the genuinely dazzling Freda Payne. (Pushing seventy and is an utter babe.) As David Gest approached, he took Freda's phone from her, as she spoke to her boyfriend. They laughingly caught up, as David made jokes regarding Freda's breasts (again, utter babe) and passed him on to Lamont, "one of the few men in this business Freda hasn't slept with." Soon after, I was sandwiched into a booth, with Cliff to my left and David's lavish fur-lined coat brushing against my right. Cliff oozed professionalism, speaking calmly and attentively answering every question. When I asked if he ever thought himself to be a rebel, he replied humbly, "I just love to sing." I said to him, "But you were too sexy for television!" He swiftly reminded me, "I still am!" As David commented on Cliff's soulfulness, Cliff quietly began singing. So yes, add 'Being serenaded by Cliff Richard' as another experience I've had. Lamont Dozier was immensely quiet, and I took care to tell him so! I must admit, of all of them, I was most in awe of Mr. Dozier. He has penned endless classics, which hold a great deal of resonance to me. I enjoyed such a generally bizarre encounter, and can assure you that whatever they whip up will be... interesting, at the very least.


Mojo 210 with the Ramones on the cover. New issue out this week. Kate Bush on the cover in the UK, Black Keys in the US. My slave work is deeply engrained in both issues and I encourage you to go pick them up!


Life at Mojo continued including me learning everything you could ever possibly want to know about the Black Keys, being exposed to new music by the minute, discovering shopping-while-on-lunch-break (a dangerous feat when you work in Covent Garden!), spontaneously buying cupcakes for the entire office (possibly prompted by free champagne on my lunch break...), and becoming endowed with New Order knowledge on a similar Black Keys level. I've swindled my way into the very fortunate position of seeing a magazine take shape each month and witnessing every tiny detail that goes into it. I've become involved in the process and there is honestly no better spot for me. In an office, littered with salt and pepper hair, teeming with knowledge, and oh I just want to soak it all up. The most sensational people have entered my life in the last four months and I just never want to leave.





Most recently, I had the great pleasure of covering an informal gathering of the FAC, that being the "Featured Artist Coalition". I was introduced to the very friendly and attentive Dave Rowntree of Blur, with whom I chatted for quite a while. Propped on a spacious balcony off Tottenham Court Rd, He eagerly answered every inquiry and we had quite the laugh, giggling about a mutual friend. Dave introduced me to Nick Mason, of Pink Floyd, of course. I must say, I was quite jazzed at the prospect of meeting Mr. Mason. He did a proper job of appeasing me, then fled off into the night! Next up was Sandie Shaw, towering in her magnificent high heels, legs bared. A bit shaky at first, even apologising to me, as she nursed a plastic cup of wine. Following the conclusion of our interview, Sandie petted my fur coat. She purred, "Is this real mink? You're so cute. I was cute once. I'm not now, but you are. Have you met Ed? You must met Ed! He's absolutely gorgeous!" Ed, of course, being Ed O'Brien of Radiohead. Sandie quickly grabbed me by the hand and we swanned inside to meet 'gorgeous' Ed. Ed was polite, chatty and utterly charming. He apologised for being 'talked out' and still fulfilled my every request. A lovely gent and a lovely night.




Also, my glorious friend Brian Wheat, the manliest looking one in the above photo, has a new song out and an album to follow! Known predominately as the bass player in Tesla, Brian also slinks around on bass with his other group, Soulmotor. Below is the video for their number, Down in Mexico. The Coasters, they are not, but sensuous no less!


Thursday, April 21, 2011

What goes on:

I wish so desperately that this was bigger, because I am digging your jumpsuit (and accompanying camel toe), JB.


There It Is, James Brown, 1972
For my commute to work every morning, I strive for music that is uptempo and as funky as can be. My favorite album for the past few weeks has been James Brown's There It Is, with the title track serving as my main inspiration. Its by far one of the most exciting ways to commence an album. My ringtone is currently 3:43-4:00 of this song, but it doesn't have quite the same effect without all the build-up leading to it, for you need to hear as the band ascends and ultimately climaxes in a frenzy of grooves. The band just gels so perfectly, with the rhythm and horns married so brilliantly. For the record, not wiggling a bit to this number while waiting for the tube is a task indeed.



I was going to go for a photo of a younger, more suave Johnny Otis, but this remarkable combination of leisure suit, beard and dated sunglasses suits the mood. Thanks to the watermark we also know this originates from Wolfgang's Vault, because who doesn't want a Johnny Otis lobby card?!


Country Girl, Johnny Otis, 1969
This lost funk gem is another current favorite. Otis and his teenage guitar prodigy of a son, Shuggie, come together for thick and raunchy funk at its greatest. With just enough soul and blues integrated into the groove and the obligatory sexual innuendos, I'm desperately in need of more songs of this variety. Funk, humor, grit... Much coveted.



David Ruffin (or as I will so adoringly call him, 'homie with the glasses') was obviously the most swaggering of all the Temptations.


Get Ready, The Temptations, 1966
Equipped with soul, funk, and palatial harmonies, the Temps are my kind of group. Their brilliance comes as a surprise to no one. Still, the revved up nature of Get Ready instantly sets a pace once it begins. The shuffling rhythm combined with their radiant vocals manages to showcase their best assets in under three minutes. Its also the last song Smokey Robinson ever penned for the Temps. Though I enjoy the Norman Whitfield compositions of post '66, its a damn shame Smokey didn't come back for more.



Completely out of date and irrelevant? Yes. Greased up and topless, therefore utterly worth posting? Also yes. Makes me cringe a little, I hope to make others equally uncomfortable.


Early Sunday Morning, Isaac Hayes, 1971
Isaac Hayes, or as my brother fondly recalls him, Chef from South Park's magnum opus, Shaft, a gritty soundtrack of the blaxploitation (let us quickly be awed that spell check does indeed identify that as a real word!) variety. The album is heralded as Hayes' crowning glory, despite his laborious years as the premier songwriter (along with David Porter) at Stax. My chosen number off Shaft came to me rather randomly. With my iTunes on shuffle, as I applied my make-up in the hazy pre-work morning hours, out comes Early Sunday Morning. Its lush, cinematic and moody tone instantly turned the flick of my mascara wand into a subtly magical moment. iTunes so cleverly followed this up with Sally's Tomato, off Henry Mancini's Breakfast at Tiffany's score. Another stroke of soft lensed cinematography brilliance.



Let us please note, in nearly every Al Green photo, he has his eyebrow cocked with the ultimate come hither stare. In every photo! I'm beginning to think that's how his face is. Still, I went for the most suggestive.


L-O-V-E, Al Green, 1975
Al Green, you foxy, foxy fool. Al Green's body of work is something I only occasionally dip my toes into - one of those acts where you have to dalliance moderately, as to not too swiftly soak up the splendor. An Al Green craving came upon me the other day and this track immediately appeased it. It just has that infectious, explosive energy that I love, especially when the back-up singers chime in on the chorus. Al Green boasts soul and passion in spades and churns it out with effortless cool. This is the type of song they tag at the end of romantic comedies, as the screen fades out on the happy couple conclusively in love. But! There's a reason for that. Its elated charm would have the desired effect of you bouncing out the cinema, feeling gleefully (read: nonsensically) optimistic yourself!



There's also a few things I'm rapidly becoming well-versed in (Whoa, discovering the Black Keys and New Order simultaneously via working on their interviews for Mojo) that will call for writing once it feels more lived in. I can also say the new albums by Cults, Beastie Boys and My Morning Jacket are respectively incredible.

Oh and a perhaps regrettable post-script... I did a Q&A quite some time ago and have since (especially since being in London) received quite a few more, ranging from "What are you doing, and how?" to "What's your guilty pleasure?" and "What shade is your lipstick?"I try to respond to them all as they come, but as there are a handful that are endlessly repeated, perhaps another Q&A post is necessary? So send more my way, if that's of any interest, and we'll see what rallies together... michelleyoshinoberry@gmail.com

Wednesday, April 20, 2011

Dad's April Mixtape

























Here's some good news, my dad has a new mixtape. And the third installment doesn't disappoint. He's had this one on his ipod for a couple weeks now and he is pleased with it. Thats why he compiles these. For himself. I don't think he's entirely comfortable with me posting them on the web. But they should be heard! They're really great. The legendary Ivan Rankic is back in the mix putting the whole thing together for Big Al again. This one has Lou Reed and The Pixies on it!!!! The best.

Al Emes Mix 3 - April 2011 (Mediafire Link)

TRACKLIST:

LCD Soundsystem - All My Friends
The Strokes - Barely Legal
Los Compesinos! - You! Me! Dancing!
William Shatner - Common People
The Corin Tucker Band - Doubt
Beck - Que Onda Guero
Arcade Fire - Sprawl II
The Clique - I am Superman
Lou Reed - This Magic Moment
Pinback - Fortress
Galaxie 500 - Fourth of July
The Decemberists - Down by the Water
Pixies - Bam Thwok
Black Rebel Motorcycle Club - We're all in love
Le Tigre - Hot Topic
Lower Dens - Blue & Silver
TV on the Radio - Province
Clap Your Hands Say Yeah - The Skin of My Yellow Country Teeth
Amanda Palmer - Idiotheque
Johnny Cash - Hurt

Also make sure to grab his Dec 2010 mix here, and his Sept 2010 playlist is here.

Saturday, April 9, 2011

Something About England: A California Girl in London... Part Three


Its been nearly a month since I wrote my last installment of London updates... Oops. Life is moving so fast. It overwhelms me at times. I simultaneously try to savor it, yet make sense of it. Everything I hoped for, I'm steadily receiving. Its the sensation of trying to hang on to it all and make it sustaining that frazzles the mind occasionally. Still, all it takes its a ray of sunlight, a particularly brilliant piece of music, or an exciting correspondence to snap me back into the moment and make me fully appreciate how wonderful it all really is. I always said, "If you can dream it, you can be it..." Oh, how true it is! But when a dream reveals itself to be a real, living task that you're now actively participating in, you think, "Wait! I didn't dream this far!" So, here I am, rolling with the punches in the city I dreamed of, in the line of work I dreamed of, surrounded by the people I dreamed of. Give us a pinch.


So, right! Over a month ago (sorry!), I attended Jeff Beck's private screening of his new DVD, Rock 'n' Roll Party: Honoring Les Paul at the British Music Experience inside the O2. We took a boat from Westminster Pier and who should be on the boat other than Ronnie Wood and his lady friend Ana! After introductions and a bit of chatter, we arrived at the O2. Everyone immediately began posing for Halfin's camera. I was warmly greeted by Mr. Beck, whom took my hand and laid on a sloppy kiss. Ronnie nibbled on a burger (or two...) and Jeff cracked into booze that was hidden away. He and his lovely wife Sandra cuddled up for Halfin's camera, as Jeff exclaimed to me, "His shots are amazing! I could be doing this [sticks finger in nose] and they'd still look great!" By the time the showing had commenced, Beck was in a liquor-induced fit of giggles. He was seated directly behind me and by far the best part of the evening was his running commentary - excitably noting which numbers he enjoyed and enthusing whenever another performer was particularly hot. The DVD itself is a stunning tribute to the talents of Les Paul, with Beck perfectly capturing the sweet tones of his recordings with Mary Ford. Rockabilly chanteuse Imelda May handles Ford's vocal parts, innovative vocal layering et al. Still, I didn't feel May's vocals were well-suited for Ford's vocals. However, she delivered scorching performances on bawdier numbers, like the Shangri-La's "Remember (Walking in the Sand)", which includes an inspired guitar intro by Beck - a standout moment of the film. A night for the books, topped off with a free Worn Free Jeff Beck tee shirt, thanks to Harvey Goldsmith. When Sandra saw the tee shirt, she exclaimed, "Jeff still has the original!"

With Gustavo, another Halfin character...


Backstage at Dingwalls, Foo Fighters soundcheck.

The excitement only continued as the Foo Fighters hit London, beginning with a bash at BAFTA to celebrate their new film. The following day, we rode from Soho to Camden, where they holed up for a vibrant three hour set at Dingwalls. I can't say I'm a massive Foos fan, though their existence has certainly been noted. (The Learn to Fly video evokes pre-pubescent memories.) However, their live presence was phenomenal. Dave Grohl, besides being an incredibly nice guy, is a killer frontman. The energy between the 300 or so people crammed into the venue was infectious, as Grohl sufficiently revved everyone up. Though they indulgently played their whole new album (yawn...), their remaining two hours were a blistering, endless cycle of songs that everyone knew. It was everything a rock show should be and, despite not adoring nor despising the Foos, it was an inspiring experience and reminded me just why the power of music carried me over an ocean. This was followed by an all-nighter at Bungalow 8, surrounded by the scantily attired and the wheelchair adorned? Oh yes. Never short of a sight.




And that's all for now, as I must save a few stories! Until next time...