Wednesday, March 31, 2010

SXSW/CRASHED ICE/WMC Megabloggg!

Ok as some of you know every march there are two big music conferences in the US: SXSW in Austin and WMC in Miami. This year we went to both with a trip up to Red Bull's Crashed Ice event in Quebec City in between. It was the weirdest routing ever - but it make for a great couple of weeks. Here is what happened:

The number one thing first thing to do in Austin, Texas is eat mexican food &/or BBQ with Prince Klassen &/or Dj Mel - we got to do both so that was a good sign that the whole trip was going to be ok.

The first night we started off playing with a bunch of Canadian friends of ours at an event called Oh Canada. Bonjay, Grand Analog, Co-op & Hunnicutt, DJ Huggs and Birdapres were all there too. We were all bragging about the gold medal and drinking Rye while saying please and thank you incessantly to everyone we saw.

Top Billing
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Co-Op
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Then we made the move to Beso Cantina where we played the Gigacrate party with the great crew of Sammy Bananas, Bird Peterson, Apt One & Jayceeoh. Big thanks to Nick at Giagacrate for having us - it was great night to kick things off.

Sammy & Mike
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Jayceeoh
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The next day we played with Sammy again in the afternoon at a great skate shop in Austin called Complete. But not without squeezing in some time for BBQ. MMMMMMMMM.

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Look at this guy - a top banana.
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Then it was over to Do it To It 3, Burlesque's annual SXSW shakedown. Burlesque Design are the dons from Minneapolis and they have great taste in music so we knew it would kill. Thanks Mike Davis!

DJ Pump & Hedspin, Mike 2600, Dj Mel & Smalltown Klassen got the room going with some heavy disco vibes
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Then Cubic Zirconia blew everyone's faces off - wow they were great. Like Cajmere meets LCD Soundsystem meets Aaliyah.
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And that was it for Austin - short and sweet - and we were headed to Quebec City for Crashed Ice. Literally hours after landing I was on a snowmobile in the Quebec forest (I don't look official at all - what a ski-doo nerd):
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And Saturday night was the big Crashed Ice event. It's basically a full contact downhill hockey race through the streets of Old Quebec, and a hundred thousand people come to see it. It's like human Nascar in the winter.
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We played the big afterparty with Team Canada DJs also Grahmzilla was there so it was great to catch up with those dudes - the club was crazy.
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Team Canada repping Les Nordiques. Les Thugs.
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Thanks to Kenny and Pete at Red Bull for having us to the event again. Quebec City is one of Canada's gems - if you haven't been there try to check it out sometime. The old buildings and awesome french people who love maple syrup make it the best time ever. Je Me Souviens!

Au Revoir Quebec, Bonjour Miami.

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Miami was a big blur of clubs and beaches and clubs. I remember Toddla T, Jack Beats, Shy FX, & 12th Planet killed it the first night:
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So did Camo UFOs - with MC ? on the mic!!!!!!!!!!!!!! Lighta!!!!!!!!!!!!!!!!!!!!!!!
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Plus I got to meet The Fat Jew - a life goal of mine achieved. He is better than everyone else.
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Hanging out with Miche and Jess Jubilee two of my favourite animals. Jess is like a party angel.
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Then the next night we played the Stirling Showcase with Ayres, Jubilee, Sammy Bananas, Tittsworth, FK5, Camo UFOs and Neoteric aka the best crew ever. Splack Pack and 2 Live Crew played in the main room too - Miami is crazy!
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Mike B and Neo (two of the best djs)
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Zeeee!!!!!!!!!!! and the Vancouver crew were in the building
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So those were some of the fun parts of the trip. I've been sleeping for days since getting home so that's why it took a while for the update sorry. But seriously - next time you should come. Thanks for reading.

Wednesday Covers - "Waiting for the Man"

"Waiting for the Man" is arguably one of the greatest rock songs of all time, and unarguably the best song ever about scoring drugs (except maybe "I Got 5 On It").

Here's an early recording.

The Velvet Underground, 1967



Former VU bandmates Lou Reed & John Cale performing it live in Paris, 1972



David Bowie f. Mick Ronson on guitar, live in Santa Monica, 1972



Belle and Sebastian, live in Belfast, 2001




Man I could really go for some heroin right now.

Tuesday, March 30, 2010

This Friday in New York




















This Friday April 2nd Smalltown Romeo is playing Flashing Lights in NY - with our great friends Catchdubs, Jubilee and Dj Ayres. If you are on the east coast come party! RSVP HERE for free admission. Ok lets go!
So frequently it is dragged on about how your thoughts make your reality, and you know what, I've decided I don't go for it. What you think has little effect on the outcome. What you say has little effect on the outcome. Its what you DO. I agree that a positive outlook is far more productive and beneficial than a negative outlook, but you can't sit on your ass and "think positively" -- that won't make marvelous things happen. And every fear and doubt you think will not come true. Thoughts are a rough draft. You can entertain every positively unfathomable and negatively dreaded thought, but I don't think that means its gonna come to you. Its what you make of them, how you act upon them. The choices you make, the actions you take... THAT is what determines your life. Not your own thoughts. So you know, FUCK the universe. Fuck The Secret and whatever else promotes this wishy washy bullshit. Think wildly, in the privacy of your own mind. I don't think unfortunate situations should be shied away from. They exist. For everyone. Its all about how you deal with things, not how you "think" of them. So even if you somehow managed to drain every negative thought from your brain, things would still spring upon you. Things you didn't think about. You DON'T think of every moment before it happens to you. That eliminates the possibility of miracles. What's lovely is that we're all entitled to think and believe anything we want. Some people desperately believe in this "think and it will come" philosophy, and I tried, and it didn't just didn't jive. And I, like you, have the freedom to not think that way then. I think what brings the positive aspects of life into full view is work to get it. You have to put in effort into things to reap the benefits. I don't believe that you can just think it, and voila! The universe delivers it to you? Bullshit. It sounds nice, fine. But I don't want things that come easily. I want to work for it, earn it. Make it meaningful. Work hard, and build the ability to deal. You have to be able to keep a level head throughout the rough times to get to experience life's glories. And oh, how much you get to experience...

And another unrelated pet peeve, I hate people who possess too much goddamn self-importance. Your life is your life, you're important, you must keep your own interests at heart and take care of yourself. YES. I totally agree with all that! But that simply puts you on an even keel with others. They watch out for themselves, its all good. All that is SO much different than being a selfish prick and thinking you're above people. UM, NO. I do not care what someone does, how much money they make... I generally believe in being kind and respectful to people. If they're total assholes, then please, do not calmly take that... But never believe you're above anyone. Even when social status looms heavily, especially since people high up the social hierarchy tend to be the biggest assholes. Never turn your nose up to someone whom you know nothing about. Confidence and comfortability WITH YOURSELF, is one thing. Being stuck up and rude towards others is another. General cattiness for the sake of making oneself feel better is something I don't get down with and simply don't understand. I can definitely tease for a joke, but that's an immense sign of affection. As far as genuinely offensive remarks, for the sake of being rude and cruel, I don't do it. It just makes no sense. Why would you intentionally make someone feel bad, or try? Its a sign of insecurity, I think.

Everything will be up and running soon it seems, so my weird late night ramblings about pet peeves will soon end. But I do like that about blogs... Randomly bitching about something in your own little space because you've got the ability to! All will be back to normal soon, xo.

Led Zeppelin-a-Day: "D'yer Mak'er" + "Houses of the Holy" + "Stairway to Heaven"

Whoa dudes, I'm mega apologetic for skipping TWO DAYS. I've been seriously tired and super busy, but here I am, making up for it! Its getting to the point where I'm forgetting what I've reviewed already. I'm gonna have to craft a playlist, excluding those that I have already. But bam bam bam, I'm rambling! So let's just do this thaaaang:

FUCK, I thought I hadn't done "The Crunge" but apparently I have. Yes, that playlist is definitely necessary.


"D'yer Mak'er", Houses of the Holy
First of all, let's say: I'm very much American. And it took a long for me to get the "D'yer Mak'er" = "Jamaica" memo. Thankfully, I had a premonition I was wrong, so I simply didn't say the title aloud. But uh, there it is. With that aside, onto the tune itself! "The Crunge" and "D'yer Mak'er" were intended as jokes, and for being that, they come off very well. They aren't meant to be taken seriously, and their lighthearted feel is absolutely appealing. "D'yer Mak'er" is probably one of the first songs off of Houses of the Holy that I got into, and I used to quiz people. What's the most said word in the whole song? Its "I", not "oh", as you may expect. I love the smooth dub feel, with the chunky reggae guitar, and the doo-wop beat. Its breezy. Its fun, airy, and maybe a little dainty. An effective summer jam, I'm sure. It does just fine on Houses of the Holy, not bringing down, but keeping it casual and ethereal.


"Houses of the Holy", Physical Graffiti
This song is really fun. I always find this one on random jukeboxes, and so it epitomizes sauntering around, mingling and the like.  The funky, distinctive, chunky riff. I love it. A riff group, simple and thriving. Yet, intricately dynamic... It doesn't happen too often. I love when his guitar goes off on those little tangents. There's mini solos and surprises throughout the whole song. The whole thing is just rollicking and enticing. Uncomplicated, but easily drawing you. "Are you dizzy when you're stoned? Let the music be your master." Its all very comfortably brilliant. It doesn't inspire reckless prose, fire and passion. No. But its just bouncy and energetic. Those synonymous ooh's. The guitar solo that indeed sounds more 1972 than 1975. All good. Comfortably brilliant, it fits.

The wizard behind the curtain.

"Stairway to Heaven", Led Zeppelin IV
The time is now! Hilarious. Let's just do it... I really can't do this without laughing. But I feel I owe it to make something great. It makes me laugh, because "Stairway" in itself, is a monument. Its snowballed into an anthem, a song that everyone knows. When you think of it, "Stairway" isn't immensely accessible. Folk guitars, recorders, endless solos. Yet, somehow, it has the ability to reach everyone. It makes me laugh, because it is so massive. Its the quintessence, a stroke of brilliance. My squeamishness simply reaffirms that. Its incredibly long, it experiences erratic fits -- and yet, it stands up. Still, and eternally. Jimmy Page has stated that it sums up the band, showcases their every whim... And as much as I want to say it isn't so, it is. Within a single number, they showcase their lilting and delicate side, they cross over to rambunctious and... fuck, I'll say it, HEAVY. Each member is delightfully exhibited. It isn't at all self indulgent in doing so either. Its masterfully thought out, with very particular arrangements. It sweeps and it soars. It roars and hums. And just builds and builds, to momentous heights. From a tiny grain of sand, to the tallest mountain. It manifests into an opus, and the band works in intense unison. Driving and abundant. Rich and exuberant. Everything to the extreme! Go go go! It hits unfathomable peaks, with the guitar just sounding so delicious. The tone, the movement. Its all there. For a brief instant, everything is superlatively immaculate. Sublime and utopian. Without a single flaw, untainted and UNRIVALED.

"I GOT A FUDGING JUNKIE FOR A WIFE!"

Scarface school play. Kinda funny. So cute.

Sunday, March 28, 2010

Lydia Remix

While on the subject of new releases - we also had a new remix come out last week on the awesome T&A label. It's for Steve Starks' tune Lydia and it's a bit of a disco banger. Now available at Turntable Lab (link below). Big thanks to Ayres & Tittsworth for putting it out.









BOOM HA




Our new song/video called Boom Ha just came out on Plant Music. PLEASE BUY IT HERE. Check out the amazing and wild video done by the super talented Matt Luckhurst.


Big ups and thanks to Shad K for being a really cool dude and rapping his ass off on the tune. So excited that this is finally out.


YEAHHHHHHHHH

Tuesday, March 23, 2010

Smalltown Romeo at WMC




















This Thursday I'm playing in Miami at WMC with a bunch of our super talented and looney friends.  If you're in the area come through!  Gloria Estefan will be making a special appearance.  Without Miami Sound Machine unfortunately.  The party goes from 9pm to 3:30 am - See you Thursday night! 

Saturday, March 20, 2010

Happy Birthday, Wax Romeo!




















Tender twenty-seven! Hope it's a good one.

Now... GROW UP and quit taking naps in wheelbarrows!!

Thursday, March 18, 2010

Monday, March 15, 2010

Led Zeppelin-a-Day: "Friends"


"Friends", Led Zeppelin III
"Friends" is another one of those songs that I'm not sure where it lies between rarity and classic. I think it leans more towards rarity, but I believe it to be one of the best Led Zeppelin songs of that era. It certainly ranks as one of my all time favorite off of III. It commences with atmospheric chatter, before the addition of one incredibly catchy riff. The entire song is absolutely magical, with the swell of the JPJ-arranged strings and the overall Eastern influence. "I'm tellin' you now, the greatest thing you ever can do now, is trade a smile with someone who's blue now. Its very easy, just-a." The whole track is very thick, though not necessarily dark. Closing with the Moog's drone, it ends a very compelling number. At just under four minutes, they crafted a track that is enduring and powerful.